Carry on the charm of New year's Pictures

release:2018-01-25 14:49:20 publisher:ARTS coin_Global art digital asset trading platform-artschain.com

Ren He-lin is an artist in Henan woodcut New year painting circles. He undertakes art museum at his own expense, works hard to dig, collect and copy traditional New year paintings for 30 years, and has the most complete historical materials and objects of Kaifeng New year paintings. Master skilled painting, engraving, printing and other traditional skills, the source of the development of New year's pictures made a careful and in-depth study, forming their own unique views. Collected 149 pieces of wooden New year paintings in Kaifeng Zhu Xianzhen in each era. At the same time, in the aspect of creation, he also engraved about 300 New year paintings, in the inheritance has the innovation, in the innovation has the development, has obtained the remarkable achievement.

Ren Hailin put forward "the origin of Chinese woodblock New year painting Kaifeng". He believed that the door god, stove painting originated in the Han Dynasty, the door god is the original form of the New year painting. The door god originated from the record of "god dala Yu lie catch evil devil" in the Book of Mountains and Seas, and found this kind of door god as evidence in Lu Shi, Henan Province. Then there was Qin Qiong, Jing de, who is known as the door god of Tang Dynasty. Then it was recorded in the Song Dynasty's "Dream of Tokyo" about "paper painting" and "seasonal painting." finally, we are all familiar with today's Zhu Xianzhen wooden New year Pictures. He believes that woodblock New year paintings have gone through the Song, Yuan, Ming and Qing dynasties, although they have gone through the Song, Yuan and Ming and Qing dynasties. Kaifeng, not Zhu Xian, was the birthplace of this view Everyone is familiar with the "Zhu Xianzhen New year painting" quite different.

The wooden New year paintings handed down from history in Kaifeng Zhu Xianzhen were basically destroyed in the Cultural Revolution, and the old style was almost lost. Without history, how can they be passed down? In order to restore tradition and find the development context, he visited many places in Henan, Shanghai Lu Xun Memorial Hall and other places before the founding of the people's Republic of China left behind woodcut New year paintings. After the founding of the people's Republic of China, the people's Republic of China created a large number of new year paintings in the 1950s and 1960s, collecting a large number of first-hand information, a total of as many as 1, 000, and the collected New year paintings were reproduced in the scale of 1: 1, 300 of them. To understand the history of these New year's pictures "font name". To know the Kaifeng Zhu Xianzhen woodcut New year painting biography Development has important academic value.

Ren Helin inherited the academic tradition of woodcut New year painting research. Liu Xian, Lu Xun, Liu Tieshua, Prince Zhen, Wang Shucun, Zhou Hongjun and others systematically excavated and combed the contributions of Kaifeng New year painting in each period. In order to get the new year pictures, he went to Shanghai three times. He believed that the New year Pictures ended Zhu Xianzhen's woodblock paintings, copied the history of the old edition, and wrote a chapter of keeping pace with the times and constantly innovating.

As the inheritor of woodcut New year paintings, Ren He-lin especially emphasizes the original nature of art and the accuracy of the color of the modelling. He believes that the "sloppy" style of the academic community and the industry has shown a rare sense of "seriousness." At present, some academic research monographs and papers are mostly reproduced from online articles, lack of serious research on the engraving method of New year's Pictures. There are still many blind spots and misunderstandings in the study of woodcut New year's Pictures. Especially for some common sense mistakes in the current New year paintings, it is pointed out that correcting, seeking truth and fighting forgery have become his central work.

The New year's Pictures are the product of the civilization of the farming era and the testimony of the Chinese civilization. Henan woodplate New year paintings were found everywhere in the past, but not many have been left now. These New year's paintings have a certain collection value in addition to some. Market value is becoming weaker and weaker, so there is an urgent need for more and more people, such as Ren Helin, who adhere to the study of New year's Pictures, clarify the history of New year's Pictures inheritance, the characteristics of New year's paintings in various places, the situation of inheritance in various places, and carry on academic heritage. Cultural heritage, these valuable things to rescue, dig out, and retain.

Source: China Culture News


News